Jeff Oster brings his singular blend of new age, jazz, ambient and groove to virtually every project he leads. That doesn’t mean he won’t bring something new to the table to give followers of this trumpet and flugelhorn maestro something new to look forward to. For Reach (October 5, 2018), that secret weapon is Mr. Ruslan Sirota, a Grammy-winning pianist and composer who is probably best known as a long time member and collaborator in Stanley Clarke’s band. Sirota is a major figure on Reach, lending not only keys, vocals and other instruments, but also co-composing the tunes with Oster and producing the whole danged thing.

That might suggest that Reach should have been co-credited to him, but Sirota’s big footprint makes this no less a Jeff Oster album. The best part about his involvement is he uses his talents to accentuate, not overtake, Oster. The formula here remains a familiar one, it’s Oster’s just-right mixture of the smooth, ethereal, exotic and groove-laden, with a world fusion twist thrown in here and there for good measure. It sounds just a little more refined, now.

The distant, frame drums and softly tinkling piano provide the right context on “Onward” for Oster’s celestially floating flugelhorn. Oster’s horn resonance “Far Rockaway” leads a dreamy soundscape but Sirota’s piano takes a pretty turn on piano for the brightest spot of the song.

The ‘groove’ part of Oster’s repertoire gets going with “Le Caveau,” but interestingly, not with such obvious tactics such as a finger popping bass or a heaping help of synths but rather a core pulse consisting of Benjamin J. Shepherd’s standup bass, Robyn Ghosh’s acoustic guitar and Tamir Barzilay’s rollicking drums.

“Five Great Mountains” also has a good beat going but features echoes of India thanks to Jenni Asher’s erhu and Pete Korpela’s tabla. Introspection returns with “The Lotus Within,” a repeating figure with a cadence Barzilay carefully modulates without fanfare with his drums.

“Troppo y Boffo” is a blissful mixture of old and new: a rich, flamenco-styled chord progression pushed by a bass ‘n’ drums pulse. And Oster just glides between these two worlds like there are no fences between them. “How Familiar” opens with a blossoming of instruments, settles into a gait and gathers momentum that halts mid-song with a single note from Oster that dissipates into the sonic ether.

“Velvet and Smoke” is a good way to describe the brushed beat and the lustrous, collectively spacious sound created from Sirota’s sensitive production. And lastly, “The Pink City” isn’t free jazz, but everyone plays just as freely, not bound to any time signature and Oster cutting loose on a flurry of notes to put an exclamation point on his improvising.

Thanks to Ruslan Sirota’s lush but not overly slick production that does a terrific job at separation, Reach passes the headphone test with flying colors. Consequentially, it becomes even easier to appreciate the chilled aura of Jeff Oster’s art. Order your copy of Reach from Bandcamp.

S. Victor Aaron

Something Else Reviews

Just finished my first run through of Jeff Oster’s new album “Reach” and it is a jewel. Smooth as silk and filled with rich soundscapes vibrating with Jeff’s signature chilled out horn playing. It was like spending some time at a late night music club with a jazz band that plies you all night long with some serious laid back grooves. You have outdone yourself my friend. For everyone else out there the album is due out officially on October 5 and you would do yourself a huge favor to preorder yourself a copy because you are definitely going to enjoy what Jeff has in store for you. Now to set this bad boy to repeat and just zone out.

MICHAEL FOSTER – Ambient Visions

1st Morning Coffee Listen:
I’m sitting here with a delicious cup of Italian roast coffee (with too much cream and sugar as is my decadent ‘want’) listening to a pre-release copy of Jeff Oster’s beautiful new album, “REACH”

I confess I”m already a fan of Jeff’s music and his wonderful work as a ‘side man’ in various SF Bay Area projects, but this record just knocks my socks off.

It is really exquisite; quiet, introspective and with more than a touch of melancholy. Just like some of the classic early ECM releases, it has a spacious feel, but unlike the northern ‘icy’ vibe of those releases, this record has tremendous warmth.

It’s all down to not only Jeff’s writing, but also to the beautiful tone he creates on Trumpet and Flugelhorn. You know, the great horn players from Louis to Miles to Hubbard to Baker always had beautiful tone and I can say, unequivocally, that the sound of Jeff’s horn is nothing short of beautiful. The trumpet can be a very linear sounding instrument but never in Jeff’s case. Not to be too synaesthetic but It feels like I’m listening to liquid sculpture when I hear his playing. He mixes wonderful technique and, for lack of a better word, ‘chops’ but they NEVER intrude.

The ‘vibe’ is everything, and from the beautiful middle eastern frame drum in the opening tracks to the sensuous Bansuri flute accompaniment that lends the closing track it’s “Indian” vibe (and sorry but I don’t have individual track listings yet), the record takes you on a contemplative journey. Jeff has also surrounded himself with a wonderful cast of support musicians. I’d have dearly loved to watch it being recorded. There is also a lot of electronic processing on the record and it’s all just so damned ‘tasty’

This is a wonderful recording. Buy it and support physical medium and artistry!

RICK WALKER – Y2K International Looping Festival

By Dick Metcalf, editor, Contemporary Fusion Reviews – August 16, 2018

Masterful pertinent contemporary fusion Jeff Oster – REACH: I’ve been a fan of Jeff’s excellent trumpet and flugelhorn work for many years now… I first reviewed him in issue # 118, where he got a “PICK”, and on many other albums… my most recent review was of a live show he did with F.L.O.W. (up in Seattle), where I got to meet him (Trump shirt & all, lol)…

Jeff’s new release doesn’t officially come out until later in 2018 (October), so there won’t be sample links until he tells me it’s gone live… in the meantime, though, I can tell you that you’re going to fall in love with his 5:27 aural sketch of the “Five Great Mountains” (in China)… he’s joined by stellar players (I would expect nothing less) who help to invoke the attitude of worship this song brings to your consciousness.. Ruslan Sirota – keyboards, vocals; Robin Ghosh – guitar; Benjamin Shepherd – bass; Tamir Barzilay – drums; Pete Korpela – percussion; Jenni Asher – Erhu; Ravichandra Kulur – indian flutes and Drew Allsbrook – vocals – the percussion on this piece helps to set the mood for your journey to inspiration, and Jeff’s horn leads the way.

Click to read the full review

“Just finished my first run through of Jeff Oster’s new album “Reach” and it is a jewel. Smooth as silk and filled with rich soundscapes vibrating with Jeff’s signature chilled out horn playing. It was like spending some time at a late night music club with a jazz band that plies you all night long with some serious laid back grooves. You have outdone yourself my friend. For everyone else out there the album is due out officially on October 5 and you would do yourself a huge favor to preorder yourself a copy because you are definitely going to enjoy what Jeff has in store for you. Now to set this bad boy to repeat and just zone out.”

MICHAEL FOSTER – Ambient Visions

New Album by Inventive Trumpeter and Flugelhornist Jeff Oster “Reach”

October 5th, 2018 Release Date

With a dynamic new age/jazz/prog rock hybrid vibe often whimsically described as “Miles Davis meets Pink Floyd,” Jeff Oster has, since his 2005 award winning full length debut Released, shapeshifted the boundaries and redefined the sonic possibilities of instrumental pop music.

For Oster and his chief collaborator/album producer Ruslan Sirota (who also plays piano, keyboards, guitar and provides vocals), the title Reach doubles as a powerful mission statement. It means breaking from Oster’s past tried and true studio approach of the past and engaging in a deeper exploration of the horn player’s artistry. Over the course of nine tracks, the result is a transcendent chill/ambient/new age meets sensual and grooving jazz/world fusion vibe where truly and radically, there are no creative boundaries. The first single from Reach is “Troppo Y Boffo,” a densely percussive Jobim-inspired dance jam filled with the spirit of Rio.

Click to read the full review.

Jeff Oster – NEXT:  There’s truly a good reason why Jeff’s “Surrender” album (issue # 118) was chosen as a “PICK” for that issue… the one-sheet with this new release declares that his trumpet/flugelhorn is a cross betwixt Miles & Pink Floyd… though that sounds like an odd comparison – nothing could be more accurate.  As I listen to the beauty emanating from the title track, “Next“, I can’t help but be “transported” into “the zone”… I can tell you right now, you simply MUST listen to this entire set with your headphones on… no interruptions, only the calming tranquility that a true artist can evoke.  “Turn Left At San Pancho” is slightly more upbeat, and will melt the heartstrings of any true jazz lover… every note is “right on” the mark, folks! A part of this excellence may be that Will Ackerman co-produced it, but when you listen to Jeff’s mastery on my personal favorite of the dozen tracks, the 4:04Ibiza Sunrise“,  you’ll know that the tunes on this CD will stay on your playlists – FOREVER!  I give Jeff a MOST HIGHLY RECOMMENDED, with an “EQ” (energy quotient) of (a perfect) 5.00 – meaning that this outing also receives another “PICK” for “best trumpet/flugelhorn” album of this issue.  Get more information at Jeff’s website.

— Rotcod Zzaj

Read the review on Improvijazzation Nation

This review originally appeared at Wind and Wire.

Jeff Oster’s Next (as in “the next big thing”) is a masterful collection of tunes that blurs the lines between jazz, chill, funk and ambient/new age as if boundaries simply didn’t exist. It is certainly one of the most entertaining albums of recent years, one that is polished to a chromium sheen by the ace production/engineering team of Ackerman and Eaton (I shouldn’t have to give you their first names at this point), suffused with genuine warmth and humanity, and overflowing with a sense that the many musicians on the album had a great time recording it. (more…)

This post originally appeared at Hypnagogue

According to his website, what flugelhorn player Jeff Oster offers up on his latest album, Next, is “New Age Ambient Funk.” In fact, he says he’s created it. I think that’s a pretty fair claim, but let’s also give a nod to the killer lineup he’s pulled into the studio to make it happen. We’re talking folks such add Nile Rodgers, Bernard “Pretty” Purdie, Chuck Rainey, Michael Manring, Ricky Kej, Tony Levin, Todd Boston, and Philip Aaberg, among others—and also got Will Ackerman to man the production helm. With that checklist of style squarely in place, Oster proceeds to get his smooth on and just seduce his listeners with gorgeous jazz stylings for the next hour. (more…)